Publications

Between 17th March 2020 and 17th May 2020 we found ourselves in isolation within the extended cityscape of Singapore. As inhabitants of what became known as “The Circuit Breaker” we watched and listened...

In this paper I share my personal attempt of co-working with plants as ghosts and how this has started to shape a curatorial practice that tries to resist extractivism. I wanted to rethink my own practice as a curator and investigate how to shape relations and ethics differently. For this work I turned towards plants and ghosts as teachers and allies. They pointed me towards strategies of being-with, generosity and sympoiesis, which I am trying to transpose into a (life-)practice. Rooted Hauntology Lab as an artistic-curatorial project is both the result and ongoing practical playground for this experimentation.

nightly build is a tiny A7 sized photocopied zine that fits in the palm of your hand so you can always carry it with you. It is a collaborative collection of thoughts, writings, prose, poetry, drama, problems, solutions, images, photos, drawings, circuits, concepts, interpretations, illustrations, dreams or philosophical fragments about the theme of this issue — the current.
People who collaborate receive a freshly printed zine straight to their letterbox. You can find a digital version for printout or e-reader in the attached documents.

Een moeras is een taal (A swamp is a language) is a poetic exploration of an encounter between human bodies and the body of a swamp near Massiaru (Estonia).

A congregation of short texts emerging from the UK's first festival of Administration, RADMIN (2019)..

An audiovisual distillation of atmospheres, questions and conversations from FoAM's intermittent journeys into dust and shadow. Through the Sonoran, Mojave, and Great Basin deserts.

The Dust & Shadow reader #2 explores attunement as a proposition for engaging with the world, Earth-bound environments and their inhabitants, in a continuously changing field of relationships.

This text is intended to provide a brief introduction to working with futures as artists and culture makers. One of the central concerns is how and why Futures can provide useful methods for increasing agency and encouraging co-creation of our collective futures.

Drawing on the dark arts, the domain where magicians and fortune-tellers commune with unknowable, faceless entities, we explore economic and cultural grey areas to reclaim tools of business administration as an artistic medium.

A sonic exploration of the desert, condensed into 12“ vinyl. The album contains two 18 minute speculative tracks — “dust” and “shadow”. It is packaged with dust, sand and detritus collected from the Sonoran, Mojave and Great Basin deserts which can be used for further physical manipulation and divergence from the recorded sound matter.