Publications

The Dust & Shadow Fieldnotes were collected over the course of two years during three fieldtrips in the deserts of the North-American Southwest. They are written as a panexperiential travelogue through the landscapes of the Anthropocene.

An audiovisual distillation of atmospheres, questions and conversations from FoAM's intermittent journeys into dust and shadow. Through the Sonoran, Mojave, and Great Basin deserts.

Drawing on the dark arts, the domain where magicians and fortune-tellers commune with unknowable, faceless entities, we explore economic and cultural grey areas to reclaim tools of business administration as an artistic medium.

A sonic exploration of the desert, condensed into 12“ vinyl. The album contains two 18 minute speculative tracks — “dust” and “shadow”. It is packaged with dust, sand and detritus collected from the Sonoran, Mojave and Great Basin deserts which can be used for further physical manipulation and divergence from the recorded sound matter.

This text is intended to provide a brief introduction to working with futures as artists and culture makers. One of the central concerns is how and why Futures can provide useful methods for increasing agency and encouraging co-creation of our collective futures.

The Dust & Shadow reader #2 explores attunement as a proposition for engaging with the world, Earth-bound environments and their inhabitants, in a continuously changing field of relationships.

When we intervene in complex systems, our future-shaping actions are hard (or perhaps impossible) to predict. How can engineers, entrepreneurs and technopreneurs embrace complexity and uncertainty, in order to act in meaningful ways, whatever the future may bring? This article includes a series of suggestions, propositions and open questions.

We outline the AccessLab workshop format for decentralising research skills, creating new open access advocates, and building links between communities.

In this paper we present a cross-section of FoAM and Time’s Up’s work with physical narratives (PNs), which draw upon experiential futures and experience design. We introduce PNs as explorable, multisensory spaces before discussing the importance of enabling social interaction. We describe a series of creative experiments with PNs to illustrate our approach to futures in an artistic context, including installations, exhibitions and festivals. We do not intend to provide a critical analysis of the design process, methods or implications, rather, the article offers a reflection on our motivations and insights. As an invitation to further dialogue between transdisciplinary fields, we conclude with a call for futurecrafting at a human scale.

Using waveform LiDAR data to measure the three-dimensional nature of the urban greenspace, we explore different ways of virtually, and tangibly engaging with volumetric models describing the 3D distribution of urban vegetation.